Dmetri Kakmi’s The Woman in the Well is not merely a novel. It is a cosmogony forged in fragments, a Gothic theogony of the antipodes. It gathers mythic sediments from …

Saint Marina of Antioch in Pisidia, like many women canonised in the Christian tradition, offers a compelling yet theologically intricate narrative of sanctity forged through suffering. Her hagiography, marked by …

The history of Cyprus is marked by division, contestation, and the perpetual struggle over competing sovereignties. Over the past century, a succession of proposals has sought to resolve the island’s …

The recent exhibition of French Impressionist masterpieces at the National Gallery of Victoria, replete with ethereal tableaux of sunlit seascapes, perfumed gardens, and the fleeting splendours of modern life as …

In The Strength of Fragile Days, Pierenrico Gottero offers us not simply a novel but a contemplative elegy, an inward odyssey of subtle psychological depth, lyrical grace, and spiritual inquiry. …

Anaïs Mitchell’s Hadestown, lauded for its musical ingenuity and socially conscious storytelling, has captivated audiences with its reimagining of the Orpheus and Eurydice myth in a postapocalyptic, Depression era setting. …

The poetry collection “Stolen Violets” by Maria A. Kampyli constitutes a contemplative and sensitively wrought depiction of the interior journey of a subject who experiences time, love, solitude, loss, and …

In contemporary multicultural democracies, the naming of public space constitutes a potent semiotic act, one that not only honours individuals or events but also inscribes hegemonic narratives into the very …

The Hellenic Museum’s most recent exhibition, Rituals: Gifts for the Gods, is not merely a curated display of antiquities, but a contemplative pilgrimage through the spiritual psyche of the ancient …

It is only when the fire burns to ashes, when the embers are glowing, that cooking, and warmth is possible. Similarly, in George Vassilacopoulos’ latest poetry collection: Ashpoems, we are …